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Nikon D700
A need to provide Patrick Ciatto with a camera to use at the Convention led to
our receiving a D700 from Nikon and an offer of a lens of our choice. We
agonised for a while and then went for the new 70–200mm f2.8 VR zoom, partly for
its versatility and partly because we have received numerous questions about the
lens from readers. Significantly the 70–200mm was the lens that won the Society
Best Professional Lens of the Year Award.
And so we found ourselves in the new Liverpool 1 on a bright and crisp January
morning, photographing the Liverpool Eye and some of the surrounding
architecture of the Albert Dock. We then unleashed the Professional Imagemaker
test puppies on the frozen beaches of the Irish Sea for some high-speed testing
under very trying conditions. With temperatures around -5°C, a huge wind-chill,
a mixture of snow, ice and frozen sea-water and a low sun it was a test of both
humans and equipment – the dogs cared not a jot, having been confined to
barracks by the snowy roads they exploded into action the instant they leapt
from the car! The one thing we did note was a shortened battery charge, way
short of the 'normal' temperature performance.
The Specification
We have already commented in the D3S test that the D700 would be an ideal
companion if a lighter or spare body were required. With a fullsized chip and a
modest pixel count of 4,56x2,832 (12.1Mp) it delivers the same sparkling
low-light performance as the D3 at the higher ISO ratings. This is a camera that
may be used comfortably at 800 or 1600 ISO, with little compromise even if you
push this out to 6400 ISO. Even then you a have a few 'Hi' settings to go to.
The D700 sports the majority of the features of the D3, losing out on framing
rate, storage facilities and battery capacity. It is quite a bit smaller and
lighter than a D3, a feature that would count highly with some photographers.
Colour Performance
As-shot with corrected exposure and white balance, the overall error on a
Macbeth Chart was 3.84ΔE₀₀. We corrected the calibration with ACR calibrator and
reduced this error to 1.95ΔE₀₀. This is the lowest value we have achieved with
ACR-Calibrator. The high error was red at 3.78, the skin tone was middling at
1.76 and the low error was purple at 0.23. This result was obtained using the
new 70–200mm f2.8 VR Nikkor.
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